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GCSE English Literature · key term
The arrangement and development of a text, including the order of events, contrasts, repetitions and ending.
Used by AQA, Edexcel, OCR and Eduqas
Paper 1, Paper 2
The way a writer arranges events, scenes and contrasts to shape the audience’s understanding.
The arrangement and development of a text, including the order of scenes, contrasts, turning points and changes of pace.
The arrangement of events, scenes or ideas, including their sequence, contrasts and turning points.
Support a point about circular structure with a specific return, such as the counting-house, and explain how Scrooge’s behaviour is different.
For structure, explain why an event happens at that point and how it changes the meaning of earlier or later events.
Part (a): begin with what Shakespeare presents in the extract, then explain how specific language, form and structure create that impression. Naming a technique is not analysis.
Create a free account to keep every note you open and track your progress.
The arrangement and sequence of events in a literary work, including connections, contrasts and turning points.
The arrangement and development of events, scenes and contrasts within a text.
The organisation of a work, including the order of scenes, contrasts, repetitions and turning points.
The arrangement of events and ideas in a text, including their order, contrasts and repetitions.
The arrangement of a text’s events, voices and revelations, including their order and the connections between its beginning and ending.
The arrangement of events and information in a text, including parallels, contrasts, turning points and the ending.
The arrangement of events and contrasts within a text, including how its ending connects with its beginning.
The arrangement and development of a text, including its sequence of events, contrasts, repetitions and revelations.
The arrangement and development of a text, including the order of events, contrasts, repetition and delayed revelations.
The arrangement of events, revelations and dramatic moments in a text.
The arrangement of events, revelations and dramatic moments within a text.
The organisation and development of a text, including its sequence, shifts, repetitions, line breaks and ending.
The arrangement and development of a text, including changes in focus, turning points and relationships between its opening and ending.
The arrangement and development of a text’s ideas, including its opening, ending, shifts and repetitions.
Paper 1, Paper 2
The arrangement and development of a text, including the order of events, contrasts, repetitions and changes of pace.
Revise: Writer's methodsStructure concerns how events and speeches are arranged. Form includes the play’s tragic shape and the use of verse and prose. Presentation includes what an audience sees and hears: entrances, exits, physical actions, props and offstage sounds.
The organisation and sequence of a work, including its scenes, contrasts, turning points and ending.
The arrangement of events and scenes in a text, including their order, contrasts and connections.
The way a text is organised, including the order of events, shifts in focus, contrasts and patterns of dialogue.
The arrangement and development of a text, including the order of events, changes in pace, contrasts and repeated patterns.
Paper 1, Paper 2
The arrangement of a text, including the order of events, shifts in focus, contrasts and endings.
Revise: Writer's methodsStructure concerns how she arranges it, from the order of events to interruptions, contrasts and the ending. A single moment can involve all three.
The arrangement of a text, including its sections, the order of events and the timing of revelations.
The way a writer arranges a work, including the order of revelations, contrasts, beginnings and endings.
The arrangement of a text's events and revelations, including their order, timing and connections.
The arrangement and development of a text, including the order of scenes, repeated patterns, contrasts and changes.
The organisation and development of a text, including the order of events, shifts of focus and placement of revelations.
Component 1, Component 2
The organisation and sequence of a text, including its scenes, turning points, contrasts and ending.
Revise: Writer's methodsStructure concerns the order of events, the contrasts between scenes and the speed of the action. Language includes imagery, wordplay and the particular words characters choose. These methods work together: a beautifully balanced love poem can appear inside a tragedy whose ending the audience already knows.
The way a writer arranges a text, including the order of events, turning points, contrasts and repetitions.
The arrangement and development of a text, including the order of events, contrasts, repetitions and changes in pace.
The arrangement of events and scenes in a text, including contrasts, parallels, turning points and delayed discoveries.
The arrangement of a work’s events, scenes and ideas, including contrasts, repetitions, delays and turning points.
The organisation and development of a literary work, including its sequence, divisions, shifts and ending.
The arrangement of events and revelations in a text, including their order, contrasts and turning points.
The arrangement and development of a text, including its sequence of events, contrasts, repetitions and turning points.
The way a writer arranges a text, including its divisions, sequence of events, changes of focus and ending.
The organisation of a text, including the order of events, changes of pace, time shifts and relationships between different storylines.
The organisation of a text: the order of events, shifts in perspective, contrasts and placement of beginnings and endings.
The arrangement and development of a text, including the order of ideas, changes of focus and contrasts.
The arrangement and development of a text’s material, including its sequence, contrasts, shifts and beginnings and endings.
The arrangement and development of a text, including the order of information, contrasts, shifts and its beginning and ending.
The arrangement and development of a text, including changes of mood, contrasts, repetition and the relationship between its beginning and ending.
The arrangement and development of a text, including its sequence, contrasts, repetitions and changes of focus.
The organisation and development of a text, including stanza divisions, the order of ideas, changes in time and the ending.
The arrangement and development of a text, including its stanza divisions, shifts of focus and ordering of ideas.
The arrangement and development of a text, including the order of ideas, repetitions, contrasts and changes of tone.
The arrangement and development of a text, including the order of ideas, changes in tone, repetition and line breaks.
The organisation and development of a text, including the order of ideas, stanza divisions, repetitions and turning points.
The organisation and development of a text, including the order of events, changes of focus, contrasts and turning points.
The way a writer organises a text, including the order of events, turning points, contrasts and the ending.
The arrangement of a text, including the order of events, chapter divisions, turning points and repeated or contrasting scenes.
The organisation of a text, including the order of events, shifts of focus, repeated situations and contrasts.
The arrangement of a text, including the order of events, changes in viewpoint, pacing and the placement of revelations.
The organisation of a text, including the order of events, contrasts, repetitions, revelations and the construction of sentences.
The arrangement and development of a text, including its sequence of events, contrasts, repetitions and delayed revelations.
The arrangement and development of a text: for example, the order of ideas, changes of tone and the relationship between its opening and ending.
The arrangement and development of a poem’s ideas, images and events, including shifts and its ending.
The arrangement and development of a poem, including its sequence of ideas, stanza divisions, repetitions and ending.
The arrangement and development of a text, including the order of ideas, shifts in focus and the relationship between its beginning and ending.
The organisation of a text, including the order of events, contrasts between scenes and patterns of repetition.
The way a writer organises a text, including the order of events, revelations and turning points.
The arrangement of a text, including its divisions, changes of focus, time shifts and ending.
The arrangement of a text, including the order of events, shifts in time, contrasts and connections between episodes.
The organisation of a text, including the order of events, turning points, repetitions, contrasts and ending.
The arrangement of a text’s events and parts, including their sequence, contrasts, repetitions and turning points.
The organisation of a text, including the order of events, turning points, contrasts and changes across time.
The organisation of a text, including the order of events, turning points and relationships between its beginning and ending.
The arrangement of a text, including the order of events, changes of viewpoint and the timing of revelations.
The way a text's ideas and details are arranged and developed, including changes, repetitions and the relationship between its beginning and ending.
The organisation and development of a text, including the order of ideas, shifts, repetitions and ending.
