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OCR GCSE English Literature · J352
OCR J352 Check the specification (PDF) (opens in a new tab)
Old Major is the elderly boar whose speech in Chapter I gives the animals a new way of understanding their lives. He argues that their suffering is caused by human exploitation and urges them to work towards rebellion and equality. He dies peacefully three nights later, before the Rebellion happens. His development across the novella is therefore not a change in his own behaviour: it is the changing treatment of his ideas and memory.
Orwell establishes those ideals at the beginning so that readers can judge what follows against them. Old Major moves from respected speaker, to revolutionary inspiration, to a ceremonial symbol, and finally to a memory Napoleon deliberately suppresses.
Before Major speaks, the narrator explains in Chapter I that he is “so highly regarded on the farm that everyone was quite ready to lose an hour's sleep”. The animals willingly sacrifice rest after their working day. His authority initially comes from their respect, rather than threats or force.
The narrator also describes him as “a majestic-looking pig, with a wise and benevolent appearance” in Chapter I. “Majestic” gives him dignity and grandeur; “benevolent” suggests kindness and concern for others. However, “appearance” describes how he looks, so readers still need to judge his ideas and actions. His position on a raised platform physically places him above his listeners, making him a commanding figure even while he advocates equality.
Major explains his purpose in Chapter I: “I feel it my duty to pass on to you such wisdom as I have acquired”. “Duty” presents his speech as a moral responsibility, not a bid for personal reward. His age and approaching death strengthen the impression that he is passing something valuable to future generations. There is also a revealing qualification: he admits that he has been one of the lucky animals. He understands suffering partly through reflection and observation rather than sharing every hardship himself.
Major’s central argument concerns ownership. In Chapter I he declares, “Only get rid of Man, and the produce of our labour would be our own.” Literally, he wants the animals to keep what they produce instead of feeding their human owner. More deeply, “our labour” and “our own” connect work with a right to its rewards. The inclusive pronoun creates a shared identity among animals with very different lives.
This helps explain Major’s connection with Karl Marx, the nineteenth-century German thinker whose ideas underpinned communism. Marx examined how society’s power structures maintained inequality. Major similarly argues that those who work are exploited by those who control the products of their labour. After his death, the pigs turn his teachings into Animalism, just as Marx’s ideas became the basis of a wider political movement.
Major makes his proposed solution sound simple through “Only”. His absolute claim in Chapter I, “Man serves the interests of no creature except himself.”, identifies a single enemy and rules out cooperation. This can be read as an effective way of exposing Jones’s exploitation and uniting the animals. It can also be read as dangerously simplistic: removing humans does not prevent animals from becoming exploiters themselves. The later pigs expose the weakness in his assumption that oppression belongs to one group alone.
His call reaches its climax in Chapter I: “Rebellion! I do not know when that Rebellion will come”. The abrupt exclamation turns explanation into a rallying cry. Yet the admission that he cannot predict its timing distinguishes a confident belief in eventual justice from a practical plan. Major inspires the movement; he does not organise or lead the uprising.
Major repeatedly addresses his audience as “Comrades” in Chapter I. This direct address gives the listeners a political identity based on solidarity. He also speaks directly to particular animals: the cows have lost their milk, the hens their eggs, and Clover her foals. These examples translate a general argument about exploitation into experiences the audience recognises.
His rhetorical questions guide the animals towards his conclusions. In Chapter I he asks, “Why then do we continue in this miserable condition?”, before supplying his own answer. This gives the speech the movement of a reasoned discussion, although Major controls both the questions and their answers.
Lists intensify the argument. Major describes their lives in Chapter I as “miserable, laborious, and short”: the three adjectives move from suffering, through exhausting work, to premature death. Later, his list of forbidden human habits makes his ideals concrete. Freedom is to involve a different way of living, not merely a different ruler.
The speech’s structure matters too. Major first establishes his wisdom, then explains suffering, identifies an enemy, calls for rebellion, sets moral limits and finally offers a hopeful future. Orwell places a long persuasive speech within the third-person prose narrative, allowing readers to hear the appeal directly and observe its effect on the gathering.
Major’s principles are not simply anti-human. In Chapter I he warns, “in fighting against Man, we must not come to resemble him”. The phrase “must not” makes this a firm moral obligation. Victory would be meaningless if the animals copied the cruelty they opposed. Structurally, the warning prepares readers to recognise the betrayal when the pigs eventually adopt human habits and become indistinguishable from their former enemies.
Major declares in Chapter I, “Weak or strong, clever or simple, we are all brothers.” The paired opposites include animals with different abilities rather than pretending those differences do not exist. The family metaphor “brothers” makes mutual protection and equal worth central to his vision. Intelligence and strength should not entitle one animal to dominate another.
His dream provides an emotional destination for the struggle. In Chapter I he explains, “It was a dream of the earth as it will be when Man has vanished.” The future wording “will be” makes his imagined world sound certain. Its scope extends beyond one farm to the whole earth. He then teaches the animals ‘Beasts of England’, turning an individual vision into something the group can repeat together. Their collective singing makes hope memorable and shared.
This utopian vision is both a source of genuine solidarity and an ideal against which later events appear cruel. The banning of the song in Chapter VII briefly marks the regime’s rejection of an independent expression of hope: Napoleon claims the better society already exists, even while the animals suffer.
In Chapter V the narrator reports, “The skull of old Major, now clean of flesh, had been disinterred from the orchard”. “Disinterred” means dug up after burial. The animals are required to file past it reverently before receiving their orders. Respect for the founder has become a compulsory ritual at the very point when debate has been abolished.
Old Major is partly based on Vladimir Lenin as well as Marx. Lenin led the Bolshevik seizure of power in Russia in October 1917 and later headed the Soviet state. After his death in 1924, his body was embalmed and placed in a mausoleum in Moscow’s Red Square. Major’s displayed remains echo the public preservation of a revolutionary leader. The parallel concerns leadership and commemoration, not an exact match: Major dies before the Rebellion, whereas Lenin lived to govern after the revolution.
The skull can represent continuing respect for Major. In its Chapter V setting, however, it also suggests that Napoleon uses the founder’s prestige to legitimise a system that betrays his equality. Major’s body is honoured while his principles lose their force.
By Chapter X, Napoleon describes the ritual to the human farmers as marching past “a boar's skull which was nailed to a post in the garden”. This is Napoleon’s description, reported by the narrator, rather than a fresh neutral account. The anonymous “a boar” strips Major of his name and significance. Napoleon dismisses the ceremony and announces that the skull has been buried. Suppressing this reminder helps him reassure the humans that the farm is no longer revolutionary.
The contrast completes Major’s changing legacy: the living teacher who gave the animals a voice becomes a silent object, then is removed. Orwell shows how rulers can exploit a founding ideal when useful and erase it when inconvenient.
The modern-text question has two parts. Part (a) compares the printed Animal Farm extract with an unseen prose extract. AO1, your supported understanding and response, and AO3, relevant context, are equally dominant; each has twice the weighting of AO2, analysis of methods. Here, context means social and cultural situations inferred from the extracts and their introductions. If Major’s speech were printed, you might explain how an older, respected figure addresses an exploited community, then compare the authority and relationships in the unseen passage.
Part (b) asks a related question about another moment in Animal Farm, using your knowledge from memory. AO1 and AO2 are equally weighted, and AO3 is not assessed. Historical understanding can deepen your reading, but the paragraph should concentrate on Orwell’s presentation and its meaning.
Orwell presents Old Major as an advocate of equality whose principles provide a measure of the Rebellion’s failure. In Chapter I, Major declares, “Weak or strong, clever or simple, we are all brothers.” The balanced pairs acknowledge differences in ability while refusing to make them a justification for privilege. His inclusive pronoun “we” and the family metaphor “brothers” suggest that power should be used to protect others rather than dominate them. By placing this declaration before the Rebellion, Orwell establishes an ideal against which readers can judge the pigs’ later superiority. Major’s importance therefore continues after his death: his words expose how far the new rulers depart from the freedom they claim to defend.
The paragraph moves from an interpretation to a precise quotation, then explains language and structural significance. Its focus remains on how Orwell presents Major, rather than retelling the speech.
Part (a): compare both printed extracts throughout. Support each comparison with precise references to both texts.
Part (a): use the introductions and extract details to explain relevant social situations, such as exploitation, age, authority or group loyalty. AO1 and AO3 each carry twice the weighting of AO2.
Part (a): focus on the extracts; you do not need to discuss the rest of Animal Farm. Explain how a method shapes meaning rather than simply naming it.
Part (b): select another moment that answers the question and analyse it closely. AO1 and AO2 are equally weighted; AO3 is not assessed.
Part (b): use short, accurate quotations from memory. Connect particular words to your interpretation and, where relevant, explain the moment’s place in the novella’s structure.
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Allegory
A story in which characters and events also represent ideas, people or events beyond the literal narrative. Old Major combines features of Marx and Lenin in the political allegory of Animal Farm.
Animalism
The system of revolutionary beliefs developed by the pigs from Old Major’s teachings, initially promising animal freedom and equality.
Rhetoric
The use of language to persuade an audience, including appeals to shared experience, emotion and reason.
Rhetorical question
A question used to make a point or guide an audience’s thinking rather than obtain an answer.
Utopia
An imagined ideal society. Old Major’s dream offers the animals a future without human exploitation.
Irony
A contrast between an expectation or stated ideal and what actually happens. The later pigs’ behaviour makes Old Major’s warning against resembling humans deeply ironic.
Put your knowledge into practice — try past paper questions for English Literature
Allegory
A story in which characters and events also represent ideas, people or events beyond the literal narrative. Old Major combines features of Marx and Lenin in the political allegory of Animal Farm.
Animalism
The system of revolutionary beliefs developed by the pigs from Old Major’s teachings, initially promising animal freedom and equality.
Rhetoric
The use of language to persuade an audience, including appeals to shared experience, emotion and reason.
Rhetorical question
A question used to make a point or guide an audience’s thinking rather than obtain an answer.
Utopia
An imagined ideal society. Old Major’s dream offers the animals a future without human exploitation.
Irony
A contrast between an expectation or stated ideal and what actually happens. The later pigs’ behaviour makes Old Major’s warning against resembling humans deeply ironic.
Marx: revolutionary ideas about exploitation and collective ownership. Lenin: revolutionary leadership and publicly preserved remains after death.
Major’s early ideals → their ceremonial use → their suppression. His influence changes; he does not personally become corrupt.