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OCR GCSE Classical Civilisation · J199
OCR J199 · Greece Check the specification (PDF) (opens in a new tab)
Proper burial was an important way of treating the dead with respect in ancient Greece. After the funeral procession brought the deceased to the burial ground, the family arranged the final deposition of the body or its cremated remains. This was not simply disposal: burial practices also expressed beliefs about the underworld and the family’s continuing responsibility towards the dead.
In Classical Athens, cemeteries lay outside the city walls. The Kerameikos, beyond the north-western walls, was an important burial ground. Separating burial grounds from the living community helped avoid religious pollution associated with death. Religious pollution meant ritual impurity, not simply dirt or infection. Burial outside the city also helped limit the spread of disease, but this practical consideration should be distinguished from the religious belief.
There were two main methods of dealing with the body. Inhumation meant burying the body in the ground. Cremation meant burning it and then depositing the cremated remains. In Classical Athens, the choice was largely a matter of personal or family preference: cremation was not a compulsory stage of every funeral.
For cremation on a separate funeral pyre, the body was laid on the pyre and burned. The remains were then collected in an ash urn and buried. This is called secondary cremation, because burning and burial took place in separate locations. An urn might be a clay pot previously used in the household rather than a specially made funerary vessel. Metal vessels could also serve as urns, and a protective box could surround the container.
Another method, primary cremation, involved burning the body within the grave itself. Secondary cremation was the more common of these two forms. Cremation was relatively limited in frequency in Classical Athens until the fourth century BC, when the number of cremation tombs increased. Both methods nevertheless provided a final resting place for the deceased.
Families could place grave gifts with the deceased, such as possessions important to them in life or food intended to assist their journey to the underworld. These gifts connected practical actions at the grave with beliefs about the dead person’s continuing needs.
After burial or cremation, a sacrifice could honour Hades and Persephone, the deities associated with the underworld. The blood of the sacrificial animal was released onto the earth as an offering to them.
The funeral did not end the family’s obligations. Mourning and later visits to the grave maintained respect for the deceased. Neglecting a grave could dishonour the family’s memory. A lasting grave marker therefore gave relatives a place at which to remember and honour someone after the funeral itself.
A grave marked the resting place of the dead, but a monument could also preserve something about the person’s life. In ancient Athens, stone slabs called stelai commemorated individual dead people. One slab is a stele. Some carried inscriptions or carved depictions of the deceased, linking a name to an image that relatives and others could remember.
Stelai were usually set up in family burial enclosures, called periboloi. An enclosure could contain several monuments for different family members. This placed the memory of an individual within the continuing identity of a family: the monument honoured one person, while its setting connected that person to relatives.
The form of a monument also depended on the family’s resources. Employing a sculptor to carve a relief could display wealth and status as well as affection and respect. The importance of proper burial did not mean that every family could afford an equally elaborate marker.
A funerary monument did more than identify whose grave it marked. The choice of words, clothing, gestures and objects could present an identity that the commemorators wanted to preserve. These choices help us understand which roles ancient Athenians considered worthy of remembrance.
They are not complete biographies, however. A monument selects particular aspects of a life. An object held by a carved figure may identify a social or religious role without telling us everything about the person’s work, beliefs or experiences.
The tombstone of Choirine, now in the British Museum, dates to approximately 375–350 BC. Her name is inscribed above her figure. She is represented standing, facing left, wearing several layers of clothing and slippers. In her right hand she holds a large temple key.
The key is the most important detail for interpreting her role. It was a conventional symbol of a priestess’s office, expressing her responsibility as custodian of a sanctuary. The monument therefore preserves more than Choirine’s name: it commemorates her religious position and the responsibility associated with it.
Her clenched left hand extends forwards. This gesture also occurs in religious reliefs showing worshippers approaching a deity, sometimes holding small incense boxes. The resemblance helps connect her representation with religious activity, but it does not establish that she is holding an incense box here.
Priests and priestesses were among the few occupations regularly represented on Athenian funerary monuments. Choirine’s key therefore shows that religious office could be an important part of someone’s commemorated identity. It also provides a concrete example of a woman being remembered for a recognised responsibility outside her own household.
One interpretation connects the priestess’s care of a sanctuary—the deity’s ‘house’—with the familiar role of a woman caring for her household. Religious office and expectations about women’s responsibilities could therefore overlap in the way a deceased woman was portrayed.
Choirine’s particular cult is uncertain. The stone is believed to have come from the area of Eleusis, west of Athens, so she may have served Demeter and Kore, whose worship was prominent there. The key supports identifying her as a priestess; it does not, by itself, identify the deity she served. This distinction shows how a grave marker can offer strong evidence for one conclusion while leaving another uncertain.
Use stele for one monument and stelai for more than one.
Distinguish inhumation, burial of the body, from cremation, burning the body and then depositing the remains.
Explain what a grave marker communicates, rather than simply listing its features: Choirine’s temple key identifies her religious office.
Keep certainty and interpretation separate: Choirine was a priestess, but her association with Demeter and Kore is a suggestion, not an established fact.
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Inhumation
The burial of a dead person’s body in the ground, rather than burning it.
Cremation
The burning of a dead person’s body, followed by the deposition of the cremated remains.
Funeral pyre
A structure of combustible material, such as wood, on which a dead person’s body is burned.
Ash urn
A container used to hold cremated remains.
Stele
An upright stone slab used as a monument; a funerary stele commemorates a dead person. The plural is stelai.
Peribolos
An enclosure containing family graves and funerary monuments in ancient Greece. The plural is periboloi.
Commemoration
Remembering and honouring a person, for example through a monument bearing their name or an image of them.
Relief
A carving in which figures project from a background surface rather than standing entirely separate from it.
Religious pollution
Ritual impurity associated with events such as death, requiring religious cleansing; it is distinct from physical dirt or disease.
Put your knowledge into practice — try past paper questions for Classical Civilisation
Inhumation
The burial of a dead person’s body in the ground, rather than burning it.
Cremation
The burning of a dead person’s body, followed by the deposition of the cremated remains.
Funeral pyre
A structure of combustible material, such as wood, on which a dead person’s body is burned.
Ash urn
A container used to hold cremated remains.
Stele
An upright stone slab used as a monument; a funerary stele commemorates a dead person. The plural is stelai.
Peribolos
An enclosure containing family graves and funerary monuments in ancient Greece. The plural is periboloi.
Commemoration
Remembering and honouring a person, for example through a monument bearing their name or an image of them.
Relief
A carving in which figures project from a background surface rather than standing entirely separate from it.
Religious pollution
Ritual impurity associated with events such as death, requiring religious cleansing; it is distinct from physical dirt or disease.